Beauty That Makes You Cry.
Vacheron Constantin didn’t stumble into the Teardrop. This was a moment of virtue signaling from a brand that already knew exactly where it stood. In the late 1940s and early 1950s, while others were refining cases by sanding away personality, Vacheron leaned in and let the details do the talking.
The round case measures roughly 35 millimeters, which, for the era, bordered on daring. Today it lands in that sweet spot where vintage still feels relevant instead of precious. On the wrist, it reads clean and composed, until your eye catches the lugs—and then everything changes.
Those teardrop lugs are the reason this model lives rent-free in collectors’ heads. Each one starts slim at the case, then stretches outward before swelling into a polished drop of gold at the strap. They don’t sit flat or disappear into the background. They hang, almost suspended, giving the watch a sense of movement even when it’s perfectly still. The slight flare adds drama without tipping into excess, a reminder that good design doesn’t need permission to be expressive.
The dial is where this example separates itself from the pack. A rare black surface paired with an 18k rose gold case creates a contrast that feels bold without trying to impress. Arabic numerals in rose gold echo the warmth of the case, as do the hands and printing, keeping everything visually tied together. This configuration is seldom seen on the Teardrop and gives the watch a presence that’s hard to ignore once it’s on the wrist.
The dial has been professionally restored in the past, which, frankly, works in its favor. Finding original black lacquer dials from this period that haven’t suffered is an uphill battle. Here, you get the spirit of the original design presented with clarity, like stepping into a well-kept vintage shop and seeing the piece exactly as it was meant to be worn.
At six o’clock, the sub-seconds register breaks the surface just enough. It adds depth and visual interest, letting the hands breathe rather than stack on top of one another. The domed acrylic crystal bubbles gently above the dial, catching light with that unmistakable mid-century softness that modern sapphire never quite pulls off.
Inside beats the manual-wound caliber V453 with 17 jewels, a movement built during a period when Vacheron Constantin was focused on thin, reliable dress watches for men who wore their timepieces daily, not ceremonially. It winds smoothly, does its job without complaint.
The watch is paired with a black leather strap that mirrors the dial and closes with an 18k rose gold Vacheron Constantin buckle bearing the Maltese cross. It is a small detail that completes the story properly, the kind of finishing touch that signals nothing was left to chance.
This Teardrop feels like a black tuxedo with a silk lapel—formal, sharp, and just playful enough to keep things interesting. It’s the kind of beauty that doesn’t ask for a reaction, yet somehow brings one anyway.

The watch presents beautifully with strong visual cohesion and excellent overall character.
The 18k rose gold case remains sharp with well-defined teardrop lugs.
The black dial has been professionally restored in the past and presents cleanly with crisp printing and balanced tone.
The caseback is smooth with visible serial and gold hallmarks present and legible.
The rose gold hands pair with a domed acrylic crystal that shows light surface marks only.
The black leather strap is newer and fitted with an 18k rose gold Vacheron Constantin Maltese cross buckle.
The manual-wound caliber V453 with 17 jewels is running well at the time of listing.



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